- IMDB link: Sentimental Value
- Tagline: "An intimate exploration of family, memories, and the reconciliatory power of art."
- My Best Picture Project
This was a difficult movie to review. There was so much that was good about it, but the pacing was problematic enough that what could have been a great movie ended up merely OK. The movie was about 2/3 in Norwegian and 1/3 in English, so we turned on subtitles.
Let's start with the good: The acting was great, really great. I didn't know Stellan Skarsgård was such a good actor. I mean, I've always liked him, and in general, if he's in it, I'm probably going to like the movie. But in this, I felt he brought an amazing depth to his character, a washed-up elderly actor-turned-director who writes a beautiful script that captures all the regrets of a father who was neglectful, knows it, and regrets it, but doesn't know how to fix it. There's a neat place where a young Gustav appears, and the filmmakers recycled footage from a movie Skarsgård made as a young man.
The two young women who play his daughters, Renate Reinsve and Inga Ibsdotter Lilleaas, do a lovely job capturing what it is to be the children of a neglectful artist parent, and the struggles they face with intimacy, trust, and anxiety. Elle Fanning does a great job playing an adopted daughter of sorts, hired by Gustav when his older daughter refuses.
The cinematography was lovely, and I loved the house where the movie takes place (it's used as a framing device). There's a really cool montage toward the end of the movie, of the faces of the four main characters superimposed over one another, and I liked the movie-within-a-movie, and how the story weaves together scenes from their family history. I also liked the rather dark Ikea joke which I will not spoil.
I did like the ending, which shows the filming of the movie that Gustav has been trying to get made throughout the actual movie
I like slow-paced movies that take their time and bring the audience for the ride, allowing the acting and scenery to take precedence over the action and special effects. But there's an extraordinarily fine line between interesting and boring when the movie's pacing is slow. Unlike Train Dreams, which was slow-paced and kind of mesmerizing, this movie was slow-paced and a little boring. It wasn't without compelling scenes, but I did find myself glancing at the time more than I like. The movie was like a long string of ellipses punctuated with exclamation points and question marks until ending on a high note:
.....?.....!.....!?......!.....""""
(Pithy Reviews; and Rankings* out of 10 nominees):
- Sinners (Southern gothic vampires sing the Blues; Cathy: 1, Chris: 1)
- Bugonia (Alien-hunting conspiracy theorists; Cathy: 5, Chris: 2)
- Train Dreams (Dreamy old logger survives ... life; Cathy: 2, Chris: 3)
- One Battle After Another (Daddy-Daughter Revolution; Cathy: 4, Chris: 4)
- F1: The Movie (Mesmerizing Top Gun for Formula 1 Fans; Cathy: 3, Chris: 5)
- Frankenstein (Monster-'splaning; Cathy: 7, Chris: 6)
- Sentimental Value (Slow-paced movie about a family of actors; Cathy: 6, Chris: 7)
- Hamnet (Cathy: x, Chris: x)
- Marty Supreme (Cathy: x, Chris: x)
- The Secret Agent (Cathy: x, Chris: x)
* Rankings can change.

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