Saturday, March 28, 2026

August 1944: Verifying Grandpa's story of befriending Americans from a downed Flying Fortress

Public Domain


    One of the coolest things that happens during research is finding evidence that corroborates a story. Here's one of my grandfather's, about meeting two members of a B-17 crew that was shot down.  He wrote this account probably in 1974.

    In the evening one of our patrols brought to the camp two American Air Force soldiers and I became an interpreter. They were crew members of a flying fortress which has bombed the bridge in Valence-sur-Rhone. The plane has been hit by flak and one man killed. All the others bailed out. One more died before reaching the ground. Three others, who were wounded, could do anything else as stay and undoubtedly became German prisoners. All the others fled in groups of two East toward the mountains and one of these groups has been picked up by our patrol. One of the two Americans was Larry Gault, first lieutenant, plane’s commander. He lived in Oregon, where he owned forests and sawmills. The other’s name was Edward Mettler, the plane’s gunner. He was before the war an art student in Chicago. 

    They were courageous, fine people. They used to volunteer for all missions. Once, when warned about a great danger of a mission, Larry Gault answered “Flying is dangerous too, you know.” They spent about ten days with us and left with the first American Intelligence officer who reached us. Edward Mettler cried then like a child. He fell in love with one of our intelligence girls, who traveled between the German occupied Rhone Valley and our mountains. The separation seemed cruel on him indeed.

    Grandpa didn't mention the date, but from other details in the text, I narrowed it down to August 15, 1944.  Today, I did an internet search for "edward mettler flying fortress ww2" because I'd love to find out if he and the intelligence girl (FFI courier) ended up together, and I found this page, and this page.

    They confirm that Lt. Gault was the pilot, and Mettler was a gunner, and it mostly confirms the events in question (that the ship had been downed by flak, and one man killed), including the date. It also provided Mettler's rank (sergeant), which is great because I'd guessed wrong (corporal), and this allowed me to correct it.

    Grandpa said another guy died, but the page contradicts that; it's possible Grandpa remembered that part wrong, or that Gault and Mettler were simply mistaken when they told him about the incident.

    Anyway, how cool is that???

    Hopefully, I'll eventually find out whether Mettler and Jeanne stayed together.  The romantic in me likes to think that they did.

Friday, March 27, 2026

1944: Marie Moreau and pop-culture coincidences

Source: Vintage Photos of Beautiful Female Partisans and
Resistance Fighters During World War II

     After my grandfather died, my mother found a handwritten account of his time in the maquis (Fourth Company, Second Battalion, Drôme FFI). He wrote at least two stories about the courageous couriers for his unit, whom he referred to as "intelligence girls."  

    Other of his stories might also have involved the couriers, but he didn't explicitly say so (he used phrases like "we found out," or, "later someone told us," that might have been referring to information from the couriers).  But he rarely identified people by either their real or code names in his stories, so I don't know if his stories referred to the same woman or more than one.  

    So, I created a composite character codenamed "Jeanne" (after Jeanne d'Arc), who became the unit's best intelligence officer and the moral heart of the group.  Jeanne became the best intelligence girl of my grandfather's stories, a smart, clever, and no-nonsense woman my grandfather admired, and I reveal her "real" name toward the end of the book: "Marie Moreau." Yes, the alliteration in her initials was deliberate.

    I actually know the names of several real-life women who served in my grandfather's FFI unit, but there's no way for me to connect Grandpa's stories with their real-life counterparts, and because I didn't want to misidentify anyone, I gave the composite Jeanne a fictitious real name.

    Coincidentally, it turns out that Marie Moreau is also the main protagonist in Gen V, a spinoff of The Boys TV show.  

    Sigh.  I had to rename my character. She is now "Marie Morand."

Wednesday, March 11, 2026

Thoughts on the 2026 Oscar Nominations

 


    This year's movies were characterized by surprise. A big part of it is that, other than Frankenstein, I knew almost nothing about the movies before they were nominated. It was really nice going into them without preconceived notions.

  • Sinners packed in a lot of surprises - who would have thought a vampire movie could pack in so much symbolism and layers of meaning? And such great music?
  • Who would have thought a race car movie (F1) could be not just worthy of a best picture nomination, but also break my top five?
  • Who would have thought that del Toro, who has had a lifelong fascination with the subject, could make such a disappointing Frankenstein movie? It's way better than Kenneth Branagh's version, but still.
  • Sean Penn, in an acting tour de force, pulled off his character in One Battle. He made me believe that weirdo could be real. I wouldn't have thought that possible.
  • Hamnet did not shy away from showing the death of a child.  That is rare.
  • Bugonia had several surprises, most of which I won't discuss to avoid spoilers. But it did not shy away (or cut away) from showing a suicide. That is also rare.
  • I would not have thought a filmmaker would go too far in depicting a thoroughly unlikeable cast of characters. But nearly everyone in Marty Supreme was odious.  The main character was so unlikeable that I quit halfway through.
  • I never expected to see a severed leg hopping around, kicking people in a park, but The Secret Agent had that.  

    So, here's how Chris's and my ranking of the movies falls out:
  1. Sinners (Southern gothic vampires sing the Blues; Cathy: 1, Chris: 1)
  2. Bugonia (Alien-hunting conspiracy theorists; Cathy: 5, Chris: 2)
  3. Train Dreams (Dreamy old logger survives ... life; Cathy: 3, Chris: 3)
  4. Hamnet (The Bard's wife; Cathy: 2, Chris: 5)
  5. Winner: One Battle After Another (Daddy-Daughter Revolution; Cathy: 7, Chris: 4)
  6. F1: The Movie (Mesmerizing Top Gun for Formula 1 Fans; Cathy: 4, Chris: 6)
  7. The Secret Agent (Strange, sweaty movie about life in fascist Brazil; Cathy: 6, Chris: 8)
  8. Frankenstein (Monster-'splaning; Cathy: 9, Chris: 7)
  9. Sentimental Value (Slow-paced movie about a family of actors; Cathy: 8, Chris: 9)
  10. Marty Supreme (Odious ping-pong hustler no one respects; Cathy:10, Chris:10)
    This year, Chris and I only agreed on Sinners, Train Dreams, and Marty Supreme.  Where we disagreed, we were at least two apart.

     I also try to draw conclusions about interesting cross-movie themes:
  • Four movies take place in modern times (Bugonia, F1, One Battle, Sentimental Value)
  • Six movies are historical period pieces  (Frankenstein - early 1800s, Hamnet - late 1500s, Marty Supreme - 1952, Secret Agent - 1977, Sinners - 1932, Train Dreams - 1917-1968).
  • Three movies contain a language other than English.  Frankenstein was mostly in English (a few brief scenes in Danish or French), Sentimental Value was mostly in Norwegian (maybe 1/3 in English, with a little French), and The Secret Agent was almost entirely in Portuguese (one brief scene in English).
  • One actress (Kerry Condon) had supporting roles in two of the nominated movies (F1, and Train Dreams).
  • Two movies dealt with child death (Hamnet, Train Dreams).
  • There were two horror movies (Frankenstein, Sinners).
  • There were two science fiction movies (Bugonia, Frankenstein).
  • This year's movies averaged some rather low scores for relatable situations (2.85) and identifiable protagonists (2.8). Average is 3.
    I'm hesitant to offer predictions or opinions for other categories because I haven't seen all of the performances, but here are my opinions in spite of my ignorance. I underlined the one that I thought should winHighlight indicates the winner.

    Note: There should be five nominees per category. If I don't mention a nominee (or indicate a winner), it's because I haven't seen the performance. If I didn't mention a category, it's because I have no opinion.  
  • Best Actor:  Timothée Chalamet/Marty Supreme, Leonardo DiCaprio/One Battle, Michael B. Jordan/Sinners, and Wagner Moura/The Secret Agent.
  • Best Actress: Jessie Buckley/Hamnet, Renate Riensve/Sentimental Value, Emma Stone/Bugnia
  • Best Actress (Supporting): Elle Fanning/Sentimental Value, Inga Ibsdotter Lilleaas/Sentimental Value, Wunmi Mosaku/Sinners, Teyana Taylor/One Battle.
  • Best Actor (Supporting):  Benicio Del Toro/One Battle, Jacob Elordi/Frankenstein, Delroy Lindo/Sinners, Sean Penn/One Battle, Stellan Skarsgård/Sentimental Value.
  • Best Casting:  Nina Gold/Hamnet, Jennifer Venditti/Marty Supreme, Cassandra Kulukundis/One Battle, Gabriel Domingues/The Secret Agent, Francine Maisler/Sinners.
  • Best Cinematography: Dan Laustsen/Frankenstein, Darius Khondji/Marty Supreme, Michael Bauman/One Battle, Autumn Durald Arkapaw/SinnersAdolpho Veloso/Train Dreams.
  • Best Costume Design:  Kate Hawley/FrankensteinMalgosia Turzanska/Hamnet, Miyako Bellizzi/Marty Supreme, Ruth E. Carter/Sinners.
  • Best Director: Chloé Zhao/Hamnet, Josh Safdie/Marty SupremePaul Thomas Anderson/One Battle After Another, Joachim Trier/Sentimental Value, Ryan Coogler/Sinners.
  • Best Film Editing:  Stephen Mirrione/F1Ronald Bronstein and Josh Safdie/Marty Supreme, Andy Jurgensen/One Battle, Olivier Bugge Coutté/Sentimental Value, Michael P. Shawver/Sinners.
  • Best Makeup and Hairstyling: Mike Hill, Jordan Samuel and Cliona Furey/Frankenstein, Ken Diaz, Mike Fontaine and Shunika Terry/Sinners.
  • Best Production Design/Sets: Tamara Deverell and Shane Vieau/Frankenstein, Fiona Crombie and Alice Felton/Hamnet, Jack Fisk and Adam Willis/Marty Supreme, Florencia Martin and Anthony Carlino/One Battle, Hannah Beachler and Monique Champagne/Sinners.
  • Best Sound: Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta/F1Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke and Brad Zoern/Frankenstein, José Antonio García, Christopher Scarabosio and Tony Villaflor/One BattleChris Welcker, Benjamin A. Burtt, Felipe Pacheco, Brandon Proctor and Steve Boeddeker/Sinners.
  • Best Sound (Original Score): Jerskin Fendrix/Bugonia, Alexandre Desplat/Frankenstein, Max Richter/Hamnet, Jonny Greenwood/One Battle, Ludwig Goransson/Sinners.
  • Best Visual Effects:  Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson/F1Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean/Sinners
  • Best Writing (original screenplay):  Ronald Bronstein & Josh Safdie/Marty Supreme, Eskil Vogt, Joachim Trier/Sentimental ValueRyan Coogler/Sinners.
  • Best Writing (adapted screenplay): Will Tracy/BugoniaGuillermo del Toro/Frankenstein, Chloé Zhao & Maggie O'Farrell/Hamnet, Paul Thomas Anderson/One Battle, Clint Bentley & Greg Kwedar/Train Dreams.

2026 Academy Awards Best Picture Nominee - Hamnet


  • IMDB link: Hamnet
  • Tagline: "After losing their son Hamnet to plague, Agnes and William Shakespeare grapple with grief in 16th-century England. A healer, Agnes must find strength to care for her surviving children while processing her devastating loss."
  • My Best Picture Project

    This was a beautiful movie about Anne (Agnes) Hathaway and what it might have been like to be married to William Shakespeare. It's so much from her POV, that the subtitles referred to Will as "Husband" most of the time. In fact, his whole name is only mentioned once toward the end of the movie. 

    Funny story: once, when the movie was paused, it displayed the names of the characters and actors on screen, and we had the following conversation:

Me: Agnes is Anne Hathaway
Kivi: No, she's Jessie Buckley.
Me: No, her real name was Anne Hathaway.
Chris: (looking at me like I've got two heads) It says it right there - her name is Jessie Buckley.
Me: (realization dawning) No, no, no. Shakespeare's real-life wife was named Anne Hathaway, not to be confused with the actress who is also named Anne Hathaway.

    Like Shakespeare in Love, the movie did a wonderful job mixing in lines from their life into Shakespeare's plays - there is a lovely scene where Will stages a play for Agnes, starring their children as the three witches from Macbeth, and later words and phrases make their way into Hamlet as well.  Agnes is an herbalist, and her lists of herbs had to have inspired Ophelia, though that scene isn't shown, and during a particularly low moment for Will, you see the origins of the "to be or not to be" soliloquy.

    The acting and casting were excellent, and it had a nice, clear voice track, which is nice for my aging ears (I still turned on the subtitles because I didn't want to miss a single word due to less-familiar accents), and the visuals were lovely ... when they weren't too dark.  Too many scenes were filmed in the dark, and it was hard to see sometimes. I suspect (but don't know) that it was dark to reflect the times and lack of electric lighting, but I think that was the wrong choice.  The pacing was a little slow in the first half, but damn, the last half was spellbinding and heartbreaking.  

    It also does an excellent job depicting how people handle grief so differently. Will by channeling his pain into a tragic masterpiece, Ann/Agnes by surviving for her remaining children, fed by her rage at Will, then ... forgiveness.

    Bring tissues.




(Pithy Reviews; and Rankings* out of 10 nominees):

  1. Sinners (Southern gothic vampires sing the Blues; Cathy: 1, Chris: 1)
  2. Bugonia (Alien-hunting conspiracy theorists; Cathy: 5, Chris: 2)
  3. Train Dreams (Dreamy old logger survives ... life; Cathy: 3, Chris: 3)
  4. Hamnet (The Bard's wife; Cathy: 2, Chris: 5)
  5. One Battle After Another (Daddy-Daughter Revolution; Cathy: 7, Chris: 4)
  6. F1: The Movie (Mesmerizing Top Gun for Formula 1 Fans; Cathy: 4, Chris: 6)
  7. The Secret Agent (Strange, sweaty movie about life in fascist Brazil; Cathy: 6, Chris: 8)
  8. Frankenstein (Monster-'splaning; Cathy: 9, Chris: 7)
  9. Sentimental Value (Slow-paced movie about a family of actors; Cathy: 8, Chris: 9)
  10. Marty Supreme (Odious ping-pong hustler no one respects; Cathy: 10, Chris: 10)

Saturday, March 7, 2026

The White Rose (Weiße Rose) Resistance Group

Monument to Die Weiße Rose resistance
movement, at the University of
Munich, Germany. Public Domain.

 

    So, a few months ago, I started building a timeline of WW2 events that I could connect to each chapter of Biscuit. When I could, I used resistance activities because they further an important theme of the book. Anyway, I came across the White Rose (Weiße Rose) resistance group at the University of Munich, and damn ... those were some courageous, heroic people.

    Anyway, Germany is a sort of boogieman-type villain in Biscuit (hard to write a book about an ethnically/culturally Jewish family in WW2, where Germany doesn't look pretty bad). But in this situation, there's not a whole lot of opportunity for nuance. It doesn't help that most of Arthur and Roma's interactions were with Germans in enforcer-type roles. Soldiers at roadblocks. Gestapo investigating sabotage, soldiers chasing down illegal refugees.
So when I found opportunities to make the portrayal of Germany a little more complex, I took them. One was to use the White Rose group as part of my timeline, and the other was to have a German POW show genuine remorse for his actions, and also explain why he couldn't dodge the Wehrmacht draft, despite holding anti-Nazi beliefs.

    Anyway, back to the White Rose. One of the members was a young woman named Sophie Scholl. She and her brother Hans were executed by the Nazis for distributing anti-Nazi leaflets for the White Rose, but after her death in 1943, Germany has never forgotten her:
  • They placed a bust of her in the Wahalla Memorial.
  • There are streets and squares named for the Scholls all over Germany.
  • In 2003, Sophie and Hans placed fourth in a poll of the most important Germans, beating out Einstein, Bach, Gutenberg, etc. If only the votes of young Germans had been counted, the Scholls would have placed first.
  • There have been several German TV shows and movies telling the story.
The transcripts of the Scholls' interrogations resided in East German archives until the 1990s. After reunification, the transcripts came to light, and one filmmaker used those as primary sources, along with survivor testimony, to write the screenplay Sophie Scholl – The Final Days (Sophie Scholl – Die letzten Tage). The movie was released in 2005, was nominated for and won numerous awards, and I'm planning to watch it in a few weeks:




Friday, March 6, 2026

2026 Academy Awards Best Picture Nominee - Marty Supreme

 

  • IMDB link: Marty Supreme
  • Tagline: "Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness."  
  • My Best Picture Project

    To quote the god of movie critics, Roger Ebert, "I hated, hated, hated this movie."  I hated it so much that I quit watching halfway through. Oh, it ticks a lot of Best Picture boxes all right:  fine acting, obviously good cinematography, lots of great old cars (it takes place in 1952).  But the story begs the question, "Just how awful can a filmmaker make the protagonist without losing the audience?"  

    Too far, in this case. Marty is an odious, odious person.  The tagline is "Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness," but it should be, "Marty Mauser, a fast-talking young asshole no one respects, goes to hell and back in pursuit of the hustle."

    As a woman, I'm hardly qualified to expound upon manhood (though I tend to favor the idea that a "real man" is just another way to say a "grownup who is responsible, and attempts to be a good person"), but I'm comfortable saying that Marty isn't any sort of man that I can admire. He's nothing but a spoiled child, and while he's a world-class ping-pong player, he is also a hustler and a cheat who constantly whines about how unfairly he's treated.

    Ok, I did like the rather shocking scene when Marty's bathtub falls through the floor of a very, very cheap hotel, but even that was horrifying because the elderly mafioso in the room below gets hurt.  Just reading that last phrase makes me cringe, because my god, even the bystanders aren't innocent.

    I didn't like a single character in the movie.   Nearly everyone is a fast-talking liar, and the ones who aren't are cheaters or predators. The pacing was also frenetic, matching the manic main character, rushing through 3 hours of movie in two-and-a-half.  And because I identified with literally no one, I couldn't get into the movie at all, and when I realized (about halfway through) that I didn't give a damn how it played out, I decided not to waste another 75 minutes of my time. 

Seriously, given my background, you'd think I'd identify with a movie full of Jewish immigrants and a Holocaust survivor or two, but nope. I think the most admirable person in the movie is Koto Endo, the Japanese ping-pong player who won the British table tennis open in the first half.  He was a survivor of the atomic bombs dropped on Japan, which left him permanently deaf.  And there are hints that Marty suspects Koto of cheating because of his foam paddle and Asian playing style, but given that Marty is a hustler, his opinion hardly matters.




(Pithy Reviews; and Rankings* out of 10 nominees):

  1. Sinners (Southern gothic vampires sing the Blues; Cathy: 1, Chris: 1)
  2. Bugonia (Alien-hunting conspiracy theorists; Cathy: 5, Chris: 2)
  3. Train Dreams (Dreamy old logger survives ... life; Cathy: 2, Chris: 3)
  4. One Battle After Another (Daddy-Daughter Revolution; Cathy: 4, Chris: 4)
  5. F1: The Movie (Mesmerizing Top Gun for Formula 1 Fans; Cathy: 3, Chris: 5)
  6. The Secret Agent (Strange, sweaty movie about life in fascist Brazil; Cathy: 6, Chris: 6)
  7. Frankenstein (Monster-'splaning; Cathy: 8, Chris: 7)
  8. Sentimental Value (Slow-paced movie about a family of actors; Cathy: 7, Chris: 8)
  • Marty Supreme (Odious ping-pong hustler no one respects; Cathy/Chris: Did not finish)

* Rankings can change.

Saturday, February 28, 2026

2026 Academy Awards Best Picture Nominee - The Secret Agent


  • IMDB link: The Secret Agent
  • Tagline: "In 1977, a technology expert flees from a mysterious past and returns to his hometown of Recife in search of peace. He soon realizes that the city is far from being the refuge he seeks."
  • My Best Picture Project

    What a weird and wonderful movie that is just full of sweaty hairy-chested Brazilian men, and if they button their shirts at all, they never do so past their sternums.  It was a lot of work to watch, though (as all foreign-language films are for me these days) since they require subtitles. It's my first Portuguese-language movie, and it was like watching a Spanish-language movie (lots of shared vocabulary), but ... not.

    It opens with a wonderfully absurd scene of a man in a yellow VW bug stopping for gasoline at a gas station with a corpse lying in the parking lot. The cops show up, but they are more interested in the man in the Volkswagen than in the corpse. The movie is mostly a drama, but with some darkly funny moments.

    It's visually beautiful and well-acted, but there are also lots of oddball themes, like Jaws, severed legs recovered from shark bellies, and just incredibly corrupt cops, businessmen, and assassins. 

    I was very confused, though, when a newspaper reported on a story about "the hairy leg", and then we see the severed leg from the shark hopping around, kicking people, mostly individuals engaging in public sex in a park.   Was it South American magical realism? Was it just an oddball, surreal moment? Was it folklore?  Turns out it was a literal (though surreal) embodiment of 1970s-era newspaper codespeak referring to police brutality, particularly against the gay community.

    Another odd moment was when the local police chief took Marcelo (the main character) to meet an elderly German man, to show off the man's scars. The policeman assumes the old man was a Wehrmacht soldier in WW2, and I, too, assumed he was a Nazi hiding out in Brazil, but it turns out the opposite is true. He was a Holocaust survivor, and the scars came not from being a soldier but from being the victim of those soldiers.   A cautionary moment warning us not to assume we know someone's past?

    The movie leaves many questions unanswered. What happened to Marcelo's mother?  What happened to the villain who destroyed Marcelo's life? Why are the people in modern-day Brazil researching him? (That may be obvious to someone who knows the culture better than I do, though.)

    The pacing is good, and it's a slow build from oddly normalized weirdness to a crescendo of satisfying violence that is worthy of a Quentin Tarantino movie.




(Pithy Reviews; and Rankings* out of 10 nominees):

  1. Sinners (Southern gothic vampires sing the Blues; Cathy: 1, Chris: 1)
  2. Bugonia (Alien-hunting conspiracy theorists; Cathy: 5, Chris: 2)
  3. Train Dreams (Dreamy old logger survives ... life; Cathy: 2, Chris: 3)
  4. One Battle After Another (Daddy-Daughter Revolution; Cathy: 4, Chris: 4)
  5. F1: The Movie (Mesmerizing Top Gun for Formula 1 Fans; Cathy: 3, Chris: 5)
  6. The Secret Agent (Strange, sweaty movie about life in fascist Brazil; Cathy: 6, Chris: 6)
  7. Frankenstein (Monster-'splaning; Cathy: 8, Chris: 7)
  8. Sentimental Value (Slow-paced movie about a family of actors; Cathy: 7, Chris: 8)

* Rankings can change.